I speak conversational Spanish and Russian
I studied music performance in college with voice as my primary instrument
I have a home recording studio where I compose and arrange music
There’s a passage from John Stuart Mill’s “On Liberty” that fundamentally changed how I approach communications: “He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them. But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion.”
This idea has become central to my content strategy work – you can’t create truly effective messaging until you understand your audience’s perspective deeply enough to address their genuine concerns. It’s about intellectual humility and recognizing that the strongest communications come from genuinely understanding different perspectives, not just reinforcing your own position.
Whether I’m developing stakeholder alignment strategies, creating content that needs to resonate across different markets, or simply communicating with colleagues who bring different expertise to the table, this approach of seeking to understand before seeking to be understood has proven invaluable. It transforms conversations from debates into collaborative problem-solving.
Advanced musical composition and theory – taking my foundational training to a truly masterful level. I studied ear training and music theory in college as part of my music minor, doing dictation work and learning to play by ear, but I’d love to have complete fluency with those building blocks. As someone who’s fascinated by the compositional elements of both music and language, music feels like the supreme system – the way harmony, rhythm, and melody interact is incredibly sophisticated. Having that level of mastery would unlock so many creative possibilities, from being able to hear complex chord progressions and immediately translate them to piano, to understanding advanced harmonic relationships that could take my songwriting to an entirely different level. Music theory is like linguistics for sound, and I’d love to be as fluent in that language as I am with words.